Webb Sonifications

There’s a new, immersive way to explore some of NASA’s James Webb Space Telescope  first full-color infrared images and data – through sound.

Listeners can enter the complex soundscape of the Cosmic Cliffs in the Carina Nebula, explore the contrasting tones of two images that depict the Southern Ring Nebula, and identify the individual data points in a transmission spectrum of hot gas giant exoplanet WASP-96 b and more.

These audio tracks support blind and low-vision listeners first, but are designed to be captivating to anyone who tunes in. “These compositions provide a different way to experience the detailed information in Webb’s first data. Similar to how written descriptions are unique translations of visual images, sonifications also translate the visual images by encoding information, like color, brightness, star locations, or water absorption signatures, as sounds,” said Quyen Hart, a senior education and outreach scientist at the Space Telescope Science Institute in Baltimore, Maryland. “Our teams are committed to ensuring astronomy is accessible to all.”

A near-infrared image of the Cosmic Cliffs in the Carina Nebula, captured by NASA’s Webb Telescope, has been mapped to a symphony of sounds. Musicians assigned unique notes to the semi-transparent, gauzy regions and very dense areas of gas and dust in the nebula, culminating in a buzzing soundscape.

The sonification scans the image from left to right. The soundtrack is vibrant and full, representing the detail in this gigantic, gaseous cavity that has the appearance of a mountain range. The gas and dust in the top half of the image are represented in blue hues and windy, drone-like sounds. The bottom half of the image, represented in ruddy shades of orange and red, has a clearer, more melodic composition.

Brighter light in the image is louder. The vertical position of light also dictates the frequency of sound. For example, bright light near the top of the image sounds loud and high, but bright light near the middle is loud and lower pitched. Dimmer, dust-obscured areas that appear lower in the image are represented by lower frequencies and clearer, undistorted notes.

A near-infrared image of the Cosmic Cliffs in the Carina Nebula, captured by NASA’s Webb Telescope, has been mapped to a symphony of sounds. Musicians assigned unique notes to the semi-transparent, gauzy regions and very dense areas of gas and dust in the nebula, culminating in a buzzing soundscape.

The sonification scans the image from left to right. The soundtrack is vibrant and full, representing the detail in this gigantic, gaseous cavity that has the appearance of a mountain range. The gas and dust in the top half of the image are represented in blue hues and windy, drone-like sounds. The bottom half of the image, represented in ruddy shades of orange and red, has a clearer, more melodic composition.

Brighter light in the image is louder. The vertical position of light also dictates the frequency of sound. For example, bright light near the top of the image sounds loud and high, but bright light near the middle is loud and lower pitched. Dimmer, dust-obscured areas that appear lower in the image are represented by lower frequencies and clearer, undistorted notes.

NASA’s Webb Telescope observed the atmospheric characteristics of the hot gas giant exoplanet WASP-96 b – which contains clear signatures of water – and the resulting transmission spectrum’s individual data points were translated into sound.

The sonification scans the spectrum from left to right. From bottom to top, the y-axis ranges from less to more light blocked. The x-axis ranges from 0.6 microns on the left to 2.8 microns on the right. The pitches of each data point correspond to the frequencies of light each point represents. Longer wavelengths of light have lower frequencies and are heard as lower pitches. The volume indicates the amount of light detected in each data point.

The four water signatures are represented by the sound of water droplets falling. These sounds simplify the data – water is detected as a signature that has multiple data points. The sounds align only to the highest points in the data.

A multi-telescope sonification from the Chandra X-Ray Observatory, the James Webb Space Telescope, and the Spitzer Space Telescope.

In Stephan’s Quintet, four galaxies move around each other, held together by gravity, while a fifth galaxy sits in the frame but is actually at a much different distance. A visual image of Stephan’s Quintet contains infrared light from the James Webb Space Telescope (red, orange, yellow, green, and blue) with additional data from the Spitzer Space Telescope (red, green, and blue) and X-ray light from Chandra (light blue). A sonification of these data begins at the top and scans the image downward. As the cursor moves, the pitch changes in relationship to the brightness in different ways. The background galaxies and foreground stars in the visual images Webb detects are mapped to different notes on a synthetic glass marimba. Meanwhile, stars with diffraction spikes are played as crash cymbals. The galaxies of Stephan’s Quintet themselves are heard as smoothly changing frequencies as the scan passes over them. The X-rays from Chandra, which reveal a shock wave that has superheated gas to tens of millions of degrees, are represented by a synthetic string sound.

Messier 74 is a spiral galaxy like our Milky Way, which is seen face-on from Earth’s vantage point some 32 million light-years away. X-rays from Chandra (purple) have been combined with an infrared view of M74 from NASA’s James Webb Space Telescope (green, yellow, red, and magenta) as well as optical data from NASA’s Hubble Space Telescope (orange, cyan, and blue). In sonifying these data, a clockwise-moving radar-like scan starts around 12 o’clock. The distance from the center controls the frequencies of sound with light farther from the center being higher pitched. The Chandra sources correspond to relatively high musical pitches of glassy ethereal and clear plucked sounds. In the Webb data, large, medium, and small features are represented by low, medium, and high frequency ranges of pitches respectively with the brightest stars being heard as percussive sounds. The Hubble data have been turned into breathy synthesizer sounds along with thin metallic plucked sounds for bright stars and clusters.

These audio tracks support blind and low-vision listeners first, but are designed to be captivating to anyone who tunes in. “These compositions provide a different way to experience the detailed information in Webb’s first data. Similar to how written descriptions are unique translations of visual images, sonifications also translate the visual images by encoding information, like color, brightness, star locations, or water absorption signatures, as sounds,” said Quyen Hart, a senior education and outreach scientist at the Space Telescope Science Institute in Baltimore, Maryland. “Our teams are committed to ensuring astronomy is accessible to all.”

This project has parallels to the “curb-cut effect,” an accessibility requirement that supports a wide range of pedestrians. “When curbs are cut, they benefit people who use wheelchairs first, but also people who walk with a cane and parents pushing strollers,” explained Kimberly Arcand, a visualization scientist at the Chandra X-ray Center in Cambridge, Massachusetts, who led the initial data sonification project for NASA and now works on it on behalf of NASA’s Universe of Learning. “We hope these sonifications reach an equally broad audience.”

Preliminary results from a survey Arcand led showed that people who are blind or low vision, and people who are sighted, all reported that they learned something about astronomical images by listening. Participants also shared that auditory experiences deeply resonated with them. “Respondents’ reactions varied – from experiencing awe to feeling a bit jumpy,” Arcand continued. “One significant finding was from people who are sighted. They reported that the experience helped them understand how people who are blind or low vision access information differently.”

These tracks are not actual sounds recorded in space. Instead, Russo and his collaborator, musician Andrew Santaguida, mapped Webb’s data to sound, carefully composing music to accurately represent details the team would like listeners to focus on. In a way, these sonifications are like modern dance or abstract painting – they convert Webb’s images and data to a new medium to engage and inspire listeners.

Christine Malec, a member of the blind and low vision community who also supports this project, said she experiences the audio tracks with multiple senses. “When I first heard a sonification, it struck me in a visceral, emotional way that I imagine sighted people experience when they look up at the night sky.”

There are other profound benefits to these adaptations. “I want to understand every nuance of sound and every instrument choice, because this is primarily how I’m experiencing the image or data,” Malec continued. Overall, the team hopes that sonifications of Webb’s data help more listeners feel a stronger connection to the universe – and inspire everyone to follow the observatory’s upcoming astronomical discoveries.

Download video files for the Cosmic Cliffs in the Carina Nebula Sonifications from the Space Telescope Science Institute.

Download video files for the Southern Ring Nebula Sonifications from the Space Telescope Science Institute.

Download a video file for the Exoplanet WASP-96 b Sonification from the Space Telescope Science Institute.

Download video files for the Stephan's Quintet Sonifications from A Universe of Sound.

Download video files for the M74 / Phantom Galaxy Sonifications from A Universe of Sound.

Translating Webb Data Into Sound on SoundCloud.

Additional Chandra and NASA Sonifications at A Universe of Sound.

Additional Hubble Sonifications.

The James Webb Space Telescope is the world’s premier space science observatory. Webb will solve mysteries in our solar system, look beyond to distant worlds around other stars, and probe the mysterious structures and origins of our universe and our place in it. Webb is an international program led by NASA with its partners, ESA (European Space Agency) and CSA (Canadian Space Agency).

These sonifications are a result of a collaboration between the NASA’s Universe of Learning program and the James Webb Space Telescope. The Chandra X-ray Center (CXC) leads data sonification as a NASA’s Universe of Learning partner. Science experts affiliated with the Webb mission provide their expertise on Webb observations, data, and targets.

NASA’s Universe of Learning is part of the NASA Science Activation program, from the Science Mission Directorate at NASA Headquarters. The Science Activation program connects NASA science experts, real content and experiences, and community leaders in a way that activates minds and promotes deeper understanding of our world and beyond. Using its direct connection to the science and the experts behind the science, NASA’s Universe of Learning provides resources and experiences that enable youth, families, and lifelong learners to explore fundamental questions in science, experience how science is done, and discover the universe for themselves.

NASA’s Universe of Learning materials are based upon work supported by NASA under cooperative agreement award number NNX16AC65A to the Space Telescope Science Institute, working in partnership with Caltech/IPAC, Center for Astrophysics | Harvard & Smithsonian, and Jet Propulsion Laboratory.